F R I E N D L Y ⋅ F I R E
The destruction of the space through sculptural actions reoccurs in his work as the predominant motif. However, his work -often walkable spaces manifesting the incisions and splitters remaining from his performative interventions- bear little aggression. Instead, the viewer is left bewildered,
F R I E N D L Y ⋅ F I R E
The destruction of the space through sculptural actions reoccurs in his work as the predominant motif. However, his work -often walkable spaces manifesting the incisions and splitters remaining from his performative interventions- bear little aggression. Instead, the viewer is left bewildered,
